With thousands of movies to browse and a navigation system and algorithm that don’t always make the correct decision easy to discover, it very well may be difficult to know what to watch on Netflix. That’s the reason we’re here, breaking down the 100 best movies on the help at this moment, with regular updates for titles that have been removed and when new ones are added. We’ve done the hard work, so now the solitary thing you have to do is pause for a minute and, uh, watch all movies.
Netflix’s tremendous catalog of movies joined with its inscrutable recommendations algorithm, can make discovering something to watch feel more like a task than a way to loosen up when really what you want are the acceptable movies.
Top Movies on Netflix
1. The Mitchells versus the Machines
Director: Mike Rianda
Writers: Mike Rianda and Jeff Rowe
Cast: Abbi Jacobson, Danny McBride, Maya Rudolph, Mike Rianda, Olivia Colman, Fred Armisen, and Beck Bennett
You’ve seen a zillion animated family parody movies, but The Mitchells versus the Machines is undoubtedly truly outstanding. Produced by Phil Lord and Chris Miller and originally made by Sony Pictures Animation – the studio behind Spider-Man: Into the Spider-Verse – the film discovers a father and daughter attempting to associate and follows the family as the father concludes they should take a road trip to send her off to school where she’s concentrating to be a filmmaker.
Along the way, the robot apocalypse happens, driving them to work together to make it through. Every step of the way, The Mitchells versus the Machines is amazing. It places in the work, so the emotional scenes hit hard, but it’s also uncontrollably brilliant and beautifully artistic as Mike Rianda pushes the boundaries of visual articulation. On top of all that, the film is hilarious, inferring the vivid parody of Lord and Miller’s other movies – most notably Cloudy with a Chance of Meatballs. This movie will have you cackling and crying in equal measure, and it’s probably the best film of 2021 full stop.
2. Blood red Peak
Director: Guillermo del Toro
Writers: Guillermo del Toro and Matthew Robbins
Cast: Mia Wasikowska, Tom Hiddleston, Jessica Chastain, and Charlie Hunnam
The primary thing to know about Guillermo del Toro’s misconstrued 2015 film Crimson Peak is that it’s a Gothic romance, not a thriller. There are apparitions, no doubt, and unquestionably creepy parts, but the film is more motivated by Jane Eyre or Rebecca than The Conjuring. And that’s the reason it’s so great. Set in 1901, the story follows an aspiring author (Mia Wasikowska) who meets a dashing English gentleman (Tom Hiddleston) and falls in affection.
The two rapidly marry, and she moves to a far-off part of England to live in an aging estate with her new husband and his frigid sister (Jessica Chastain). The estate winds up being brimming with phantoms, and turns abound as our young protagonist ends up in a tough situation. It’s a haunting, romantic, and chilling apparition story that’s affectionately crafted by probably the best filmmaker working today.
Director: Ron Howard
Writers: Peter Morgan
Cast: Chris Hemsworth, Daniel Bruhl, Olivia Wilde, Alexandra Maria Lara, and Pierfrancesco Favino
Sometime in the distant past, the creator of The Crown teamed up with legendary director Ron Howard and two Marvel stars to make an energizing, racing drama – and no one saw it. 2013’s Rush is a criminally underrated film, and it features one of Chris Hemsworth’s best dramatic performances as daring Formula One driver James Hunt.
The film accounts Hunt’s rivalry with Austrian driver Nikki Lauda (Daniel Bruhl), with each actor getting pretty even screentime as Howard crafts an account of two totally different men who were headed to be awesome what they do. Cinematographer Anthony Dod Mantle tangibly summons the 1970s esthetic, and the racing scenes are uncontrollably energizing.
4. Brokeback Mountain
Director: Ang Lee
Writers: Larry McMurtry and Diana Ossana
Cast: Heath Ledger, Jake Gyllenhaal, Michelle Williams, and Anne Hathaway
Champ of three Oscars, including Best Director, Adapted Screenplay, and Original Score (and it ought to have won Best Picture), Brokeback Mountain remains a transcending, tragic romantic drama. Based on the novel of the same name by Annie Proulx, the film stars Heath Ledger and Jake Gyllenhaal as two strangers who meet in 1963 when they’re recruited to crowd sheep through the late spring.
During their residency, they build up a passionate sexual relationship that turns romantic, just for the intricacy of their sentiments – towards each other and themselves – to haunt them as the years pass by. It’s a profoundly touchy and emotional story, boasting a pair of powerful performances by Ledger and Gyllenhaal that will wait long after the credits have rolled.
5. Training Day
Director: Antoine Fuqua
Author: David Ayer
Cast: Ethan Hawke, Denzel Washington, Scott Glenn, Cliff Curtis, Dr. Dre, Snoop Dogg, and Eva Mendes
The film that won Denzel Washington his first Best Actor Oscar also still holds up really well as a nail-gnawing thrill ride. Training Day follows an LAPD officer named Jake (Ethan Hawke) on his first day as part of an evaluation by a regarded narcotics officer named Alonzo (Denzel Washington). Still, as the day goes on, Jake finds that not exclusively is Alonzo bad, but the whole day is a set-up for which he could take the fall. Washington gives a phenomenal performance as an antagonist who is both charming and terrifying at the same time, while Hawke hods his own inverse the veteran actor. The third act is still somewhat doubtful, but the film merits watching for Washington’s performance alone.
6. Batman Begins
Director: Christopher Nolan
Writers: Christopher Nolan and David S. Goyer
Cast: Christian Bale, Michael Caine, Katie Holmes, Liam Neeson, Gary Oldman, Cillian Murphy, Morgan Freeman, and Ken Watanabe
Before he crafted the masterful spin-off The Dark Knight, filmmaker Christopher Nolan had to initially reevaluate the Batman franchise starting from the earliest stage with the “abrasive reboot” Batman Begins. This movie came closely following the incredibly ridiculous Batman and Robin and hence had to demonstrate to audiences a grounded, realistic Batman story was one worth watching. Casting Christian Bale in the lead job helped, but Nolan’s sprawling, Gotham-driven story feels more like a convincing character drama than a superhero movie—and that was my plan.
Batman Begins spawned two direct spin-offs as well as a pattern in Hollywood of revitalizing franchises with the “abrasive reboot” treatment, and this entirely influential redo actually holds up longer than a decade later as a terrific Batman cause story.
7. The Dark Knight
Director: Christopher Nolan
Writers: Jonathan Nolan
Cast: Christian Bale, Heath Ledger, Maggie Gyllenhaal, Aaron Eckhart, Gary Oldman, Morgan Freeman, and Michael Caine
Extraordinary compared to other superhero movies at any point made, full-stop, The Dark Knight is a masterpiece. Christopher Nolan effectively introduced the world to the idea of a “coarse reboot” with Batman Begins. Still, he crafted an epic, astounding, and downright exciting story of escalation for the subsequent. Heath Ledger’s take on The Joker is famous, presenting an enigmatic villain who reliably stuns Christian Bale’s Batman. Then you have Aaron Eckhart’s Harvey Dent, as The Dark Knight crafts a meaty, satisfying, and heartbreaking arc for this Bruce Wayne foil.
On top of all of that, Nolan is essentially making a film about the post-9/11 world—one in which battling “the bad folks” leads to greater and more extreme devastation. How do you stand up to a foe that wants to watch the world consume? There’s a reason The Dark Knight has waited in the public cognizance for a decade, and it actually holds up as the most elite in the face of the flock of superhero movies that before long followed.
8. Bad Trip
Director: Kitao Sakurai
Writers: Dan Curry, Eric Andre, and Kitao Sakurai
Cast: Eric Andre, Lil Rel Howery, and Tiffany Haddish
Bad Trip is outrageously adolescent and will make you laugh amazingly hard. The film is a hybrid of Jackass and a traditional road trip parody, as Eric Andre and Lil Rel Howery play a pair of companions who drive from Florida to New York so that Andre’s character can track down the young lady of his dreams. Hot on their tale is Howery’s character’s sister, recently out of a jailbreak and played by Tiffany Haddish. But every scene in the film is shot as a prank, with accidental strangers filling in as the background and supporting characters all through the movie.
It’s senseless and embarrassing but also singles out how ludicrous a portion of the sayings in traditional romcoms are – like when Andre breaks out into melody in a mall, encircled by strangers with “WTF?” looks on their faces. And be warned, this is insanely R-rated.
9. Screen Island
Director: Martin Scorsese
Writers: Laeta Kalogridis
Cast: Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Michelle Williams, Emily Mortimer, Patricia Clarkson, and Max von Sydow
What happens when a master filmmaker like Martin Scorsese chooses to make a twisty little spine-chiller? You get Shutter Island, a great and underrated movie in Scorsese’s vast filmography. Based on the Dennis Lehane epic of the same name, the film stars Leonardo DiCaprio and Mark Ruffalo as a pair of U.S. Marshals who arrive on the titular island to investigate the disappearance of an enigmatic psychiatric facility.
Consistently something feels off, and Scorsese has a great time pursuing DiCaprio’s character around this island through the darkness, revealing exciting bends in the road along the way. It’s the sort of dramatic thrill ride you immediately want to watch again once it’s finished, and DiCaprio gives a terrific as a man who is by all accounts unraveling.
Directors: Sam Fell and Chris Butler
Writers: Chris Butler
Cast: Kodi Smit-McPhee, Casey Affleck, Anna Kendrick, John Goodman, Alex Borstein, Leslie Man, Jeff Garlin, Elaine Stritch, and Tucker Albrizzi
The stop-movement animated film hails from LAIKA, the same studio behind Coraline and Kubo and the Two Strings, and it’s absolutely probably the best film.
It spins around a young child named Norman, who has the ability to see and speak with the dead, which proves to be useful when his small Massachusetts town is overwhelmed by terrifying apparitions. The story draws heavily from notorious 80s movies like The Goonies and E.T. but never feels derivative and actually carries an amazing and emotional message about harassment and anger and the intricacy of feelings that children can at times feel. It’s also a huge load of fun.
11. Enola Holmes
Director: Harry Bradbeer
Writers: Jack Thorne
Cast: Millie Bobby Brown, Louis Partridge, Henry Cavill, Sam Claflin, and Helena Bonham Carter
Enola Holmes is truly outstanding and the most charming Netflix original movies released so far. Based on the book arrangement of the same name by Nancy Springer, the period secret follows Millie Bobby Brown’s titular character, who is the youngest Holmes kin and has been raised nearly in isolation by her single parent. But when she awakes one day to discover her mother is missing, she takes matters into her own hands and sneaks into London to settle the case. The film is tremendously fun as Enola fearlessly follows leads and chases for signs, but it’s also a shockingly contacting mother-daughter story with legitimately women’s activist themes.
The script actually takes time to consider what it means to be a woman in a man’s reality, such that it’s organic (and important) to the story at hand. It’s probably the best performance, but Henry Cavill is also a joy as Sherlock Holmes himself. When the movie closes, you’ll ask for Netflix to make many more continuations.
12. The Conjuring
Director: James Wan
Writers: Chad Hayes, Carey W. Hayes
Cast: Vera Farmiga, Patrick Wilson, Lili Taylor, Ron Livingston, Mackenzie Foy, Joey King, Hayley McFarland
James Wan had already made a name for himself in the loathsomeness sort with mega-franchise starters SAW in 2004 and Insidious in 2010, and he pulled off the inconceivable by and by with the 2013 pic, The Conjuring. This film was “so scary and exceptional” when Warner Bros. slapped it with an R rating even though there was no blood, gore, over-the-top viciousness, or profanity. I can recall a show hall brimming with people murmuring to themselves and shifting apprehensively as the “clapping game” scene played out, to gasps and booming applause.
You can remember the same terrifying experience in the solace of your own home. The Conjuring introduces Ed and Lorraine Warren (Wilson and Farmiga) based on real-life paranormal investigators. They attempt to help the traumatized Perron family, whose farmhouse harbors a dark and deadly presence. The Warrens themselves, before long, find that this is no simple hoax but something considerably eviler. The Conjuring is a fantastic addition to the awfulness kind and the start of a strong franchise.